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This online journal is a record of ideas, exploration and experimentation. By being honest in my successes and failures I hope to be credible in and contribute to an inquisitive artistic and intellectual community.

Mastery

In Mastery, Robert Greene explores the journey toward achieving mastery and dispels the myth that innate talent is a prerequisite for becoming a master. Greene argues that mastery is attainable by following a structured path and learning from those who have achieved it before. The book outlines a clear progression towards mastery, emphasizing the importance of perseverance and the right approach rather than relying on natural talent alone.

Here belies a crucial insight in neuroscience – that humans cultivate the mind that we deserve. Through practice and repetition, we can develop the habits of masters.

It is critical, according to Greene, that each individual responds to an inner calling, a unique vocation or field where their passions and abilities align. Identifying and pursuing this calling is crucial for long-term success and fulfillment. Greene also stresses that the initial goal in any new field should be to absorb as much knowledge as possible, rather than seeking immediate success or financial gain. This learning phase is vital for laying a strong foundation for future achievements.

Furthermore, Greene highlights the significance of mentorship in mastering a discipline. A mentor can provide valuable guidance and insight, making the learning process more efficient and effective. After completing the apprenticeship phase, Greene advises that one must be bold enough to innovate and challenge established norms. Broadening and training the mind to solve problems creatively is essential for reaching the highest levels of mastery. Ultimately, mastery involves practicing a skill until it becomes second nature, allowing the mind and body to work in harmony and enabling one to focus on broader, more strategic goals.

The Outline as a Visual Convention

July 22, 2024

Just as a map key simplifies a geographic landscape, visual conventions distill a myriad of stimuli into comprehensible symbols. One such convention is the outline. Throughout history, artists have used outlines not just to depict physical forms and create structure but also to subtly direct the viewer toward particular set of cultural values. In writing this piece, I want to explore a few of the ways outlines have been used and why that may have been the case.

Visual conventions in art function as symbolic shorthand, enabling artists to communicate complex ideas efficiently and guide viewers through both symbolic and physical realms. By studying conventions, we not only deepen our appreciation for the possibilities of the visual language and cognition (symbolic realm) but also uncover connections between artistic practice, social behavior and the natural world (physical realm).

The human mind uses mental models to simplify and interpret complexity. According to gestalt theory, once the smaller parts of an arrangement are understood, we group them into something larger. Consecutive dots in a loop are viewed as a circle, for instance. The dots are no longer seen as parts but as a whole. In this way, we avoid cognitive overload.

In turn, conventions go largely unseen. We easily move past them in order to grasp the whole. When was the last time you considered outlines, even while outlines don’t exist in nature and were the invention from the model forming mind of an early hominid. What of photography? We likely overlook how photography flattens space, reduces scale and freezes motion. Our remarkable minds, in their haste to make order, flush out what is need and pay little attention to all that is missing.

The outlined form becomes a placeholder for an entire constellation of ideas. Outlines suggests that ideas can be contained, understood. One thing is separate from another. In the west, this harkens back to the god Apollo, and is conquering of the passions through reason. This precludes the Dionysian concepts of an undifferentiated flow of energy and dissolution of self through the symbolic ritual of consuming wine.

Islamic art, with its prohibition on representational imagery, employs outlines on other ways. Rather than focusing on individual figures or historical events, outlines in Islamic art create intricate patterns and repetitive motifs. These elements serve to amplify a spiritual message and convey the transcendence of God’s presence through abstract representation. Lines take the viewer away from the world around us toward a more sacred presence beyond.

In conclusion, visual conventions like outlines, are essential for simplifying and communicating complex ideas. By exploring their historical and cultural applications, we see how conventions influence cognitive processes and cultural narratives. Put more simply, by examining conventions we can better appreciate how meaning is shaped and how we can shape meaning by the shorthands we use.

Timelessness and Temporality

June 25, 2024

Art has always navigated a complex relationship between the timeless and the everyday, with each domain offering unique insights into the human experience. Exploring the intersection of these realms, I believe, provides rich opportunities for artistic expression and understanding.

From the serene sculptures of ancient Greece depicting gods and heroes with idealized forms, to Renaissance paintings imbued with allegorical symbolism, timeless artworks speak to fundamental aspects of the human experience. Artwork with timeless themes offers insight into the aspirations, beliefs, and values that have resonated deeply throughout history, embodying beauty, virtue, and philosophical reflection that remain relevant across generations.

Conversely, everyday art captures the realities and specificities of daily life within their historical contexts. Genre painting during the Dutch Golden Age, for instance, meticulously depicted domestic scenes, tradespeople at work, and moments of leisure, offering glimpses into ordinary existence that resonate with palpable authenticity and detail. Realism in the 19th century continued this tradition by focusing on the unembellished realities of contemporary society, portraying scenes of urban life, labor, and social issues with a stark honesty that challenged prevailing artistic conventions. Street art and graffiti in more recent times further extend this tradition, using everyday materials and urban landscapes as canvases to reflect current societal concerns, local cultures, and personal expressions.

This dichotomy between timeless and everyday art reveals how art evolves to reflect both universal ideals and specific historical moments. The dynamic interplay between these two forms of art is not static but continually evolves, offering new interpretations and insights. Engaging with both timeless and everyday art requires active discernment, recognizing their distinct contributions while appreciating their interconnections. This vigilance ensures that our understanding of art remains vibrant and meaningful, allowing for relevant works.

Ideas on Assembling an En Plein Air Painting Kit.

March 25, 2024

6 thoughts on “Posts

    1. adrianeisenhower's avatar

      I do not know off hand but I will look into it. Thank you for the encouraging words. Though not automatic, I have just uploaded a post. My best- Adrian

  1. amy3dog's avatar

    Stars

    by Freya Manfred

    What matters most? It’s a foolish question because I’m hanging on,
    just like you. No, I’m past hanging on. It’s after midnight and I’m falling
    toward four a.m., the best time for ghosts, terror, and lost hopes.
    No one says anything of significance to me. I don’t care if the President’s
    a two year old, and the Vice President’s four. I don’t care if you’re
    cashing in your stocks or building homes for the homeless.
    I was a caring person. I would make soup and grow you many flowers.
    I would enter your world, my hands open to catch your tears,
    my lips on your lips in case we both went deaf and blind.
    But I don’t care about your birthday, or Christmas, or lover’s lane,
    or even you, not as much as I pretend. Ah, I was about to say,
    “I don’t care about the stars” — but I had to stop my pen.
    Sometimes, out in the silent black Wisconsin countryside
    I glance up and see everything that’s not on earth, glowing, pulsing,
    each star so close to the next and yet so far away.
    Oh, the stars. In lines and curves, with fainter, more mysterious
    designs beyond, and again, beyond. The longer I look, the more I see,
    and the more I see, the deeper the universe grows.
    I have a long way to go, and I’m starting now —
    out in the silent black Wisconsin countryside.

    “Stars” by Freya Manfred, from Swimming with a Hundred Year Old Snapping Turtle. © Red Dragonfly Press, 2008. Reprinted with permission

    This poem reminded me of the stars at the hot springs…

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